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OH MY GOD, Kindred is back!!!!!❤️‍🔥

I seem to be stuck making what sounds to be a snore bass without nose, or a constant inward 'k' sound. Do you know I would fix this?

Woooow !!!!! So helpful !!!!

I am not a low testosterone man , I dont have bad genetics but my household upbringing and parents had gave me 2 options for me , inceldom or criminality , self improvement is not one of them .

Apparently I have been using mixed voice as my normal talking voice for my whole life.

great video, dude

Isnt ironic most women call themselves liberal even leftist yet ethnicity remains the highest determinant of inceldom

I hope your still here, I have a problem. I kept adding water and water, but still got the dough snapping on the first pull no matter how many times I pulled and folded it.

Maybe im just too new to all this, but it feels like trying to learn a new language....in the new language lol Good stuff though, got me practicing some tongue movements that i dont currently have the stamina to keep up for long.

Bro i can inward bass But i want to have a jawline like u 😭

Pls a tutorial of dog whistle

I know nothing about beatboxing but I just tried vocalising and the highest sound ever just came out of me. I'm 47 and had no idea my body was even capable of squeaking lol

Wilkes and his sister went to school in Hong Kong and she mentioned at his funeral to me how looking back even at school it was odd that her female friends and herself only wanted to date the non Asian guys at school, none of them found Asian men attractive. She said it was probably because Asian guys reminded them of their brothers and fathers.

This is probably the deepest beatbox video I've ever seen i would try to watch as much the video and try to fix as much mistakes im making with whistle

I can inward roll all day but I can’t figure out the basic lip roll without inhale.

I don’t get it. I got the lip position perfect and I move my tongue and literally nothing happens.

This might be a dumb question that I just missed the answer to, but under the castle gate model where, for example, the false folds are positioned to only let out a pulse for every integer multiple vocal fold pulse, then wouldn’t the false folds just filter out the vocal fold frequency so only the subharmonic frequency would be audible? Unless there isn’t supposed to be both frequencies at the same time? Again I am far from an expert on this, but would appreciate the explanation. (Btw loved this video. It’s easily the most comprehensive research and explanation on this topic that I’ve seen).

I keep getting vocal fry even tho i tried for like 1 week

What I get by doing this is very weird. It's neither inward bass nor vocal fry. It is inward breathing with a vibration to it. I tried asking what I am doing to a guy who knows inward bass and he doesn't know either.

I got the vibration but I can't do it with my mouth closed.

I think I can't do basses at all (except throat bass). I have been trying to do the vocalised chest bass since 7 freaking months....I give up bro ( Fuck you basses )

I love this video but its definitely autistic with the math my boy, i am high -harambe

As a girl learning beatbox I've been trying so hard to get my basses solid. I've never seen anyone explain a beatboxing technique as well as you - I really appreciate the anatomical explanations! I got my inward almost instantly after watching this! Now to make it sound good haha

Is there a different between an inward chest bass and a vibration bass the way you teach it with kinda sucking in bc I can do the inward chest bass pretty good by now but it sounds different (less raspy/evil) than what yours sounds like and I also cant do it the way you explain it (also I never had the gagging problem)

Tnx btw

Holy shit bro tryd it for 2 days and just laying on my bed and almost closing my airways i got it and my friend told me i need help😂😂 😂

How long do I have to do it before the gagging stops?

huge thank you for those high-effort explanations and tutorial videos. hope you keep bringing those every other year or so. first, i'm always a little mad when people spit untruths about this topic. second, beatboxers should also be a bit more educated about theory and sound production of their instrument. just a few days ago, i had a little rant about those puddle-deep 3-minute tutorials. i'd rather have a deep dive and really understand what i'm doing. third (and please correct me if i'm wrong), i think you also spat some untruth at 2:26 because how i learned it, the first subharmonic (same with harmonics) is defined as being equal to the base note F, the second is an octave below or F/2, third is F/3 and so on. so in my understanding you are always 1 off in this matter. doesnt matter tho, still love u, keep it up <3

4:17 Hi Kindred. I'm not able to do inward bass with my mouth close like you did here. How to do it?

Is so difficul bro

1:22:00 he's so delusionnal

To summarize the Slicer Effect, you're not focusing on vibrating two things at once (that's the result, not the cause). You're vibrating one thing and holding the other in a position where the escaping airflow from the first thing also vibrates that other thing. The airflow that escapes from the first thing usually just passes by the other thing but in this case because of how you've positioned it, the airflow vibrates it. In this case, the first thing is your vocal folds and the second thing is whatever else it is that you're trying to vibrate. This involves holding that other thing in the perfect position and with the perfect amount of tension and tautness so that the escaping airflow from your vocal folds interacts with that other thing in the perfect way. Being even a little off causes it to vibrate irregularly and produce the crackles you hear in an 'unclean' bass. I'd assume that finding this position and tension basically requires memorizing how much each muscle involved is contracted. This could also explain why doing seemingly superfluous things like tilting your head or changing vowels could impact how easy it is to do the sound - tilting your neck a bit may make it easier to hold the second vibrating structure in the required position. ________________________________________________________ About True Fold Subharmonics, it seems we simply don't have an explanation yet. Your idea of the 'bubbles' created by regular phonation ocassionally being squished during True Fold Subharmonics suffices for now until someone invents a better model. At the very least, it brings us back from the detour of explaining this technique using the Missing Fundamental Effect and having to accept the weaknesses of that explanation. It's a step in the right direction, but we still have a river to cross until we understand this well enough to have a near-perfect model. About the technique itself, it definitely feels like I'm holding my vocal folds in an alternate position when I execute True Fold Subharmonics compared to regular phonation. I think we interpret that alternate position as a combination of the positions of either regular phonation and fry or regular phonation and falsetto simply because different people often use different words for the same idea. We're referring to 'some constriction' that we don't have a name to describe and so some people think it's similar to fry and others think it's more similar to falsetto so they call it whichever they think it resembles more. We're going to have to do quite a lot of research into this specific constriction until we understand exactly which muscles are involved and how this position causes the lowering of frequency and/or change in resonance. To describe this vocal fold position by simply assuming and feeling it, 'halfway between regular phonation and fry' works well for me. That doesn't mean somehow doing half fry and half regular phonation simultaneously. Instead, I use it to mean 'hold your voice in a position that feels halfway between the precisely compressed one for vocal fry and the one for regular phonation and then just phonate'. Holding your vocal folds in this extremely precise position is the challenge, not somehow executing two vibrations in one object simultaneously as the latter is impossible. ______________________________________________________ Apologies for the wall of text. That's all the stuff that I wanted to write. Thanks for reading.

Amazing video as always. I'll admit a lot of the math talk went over my head. That's what I get for dragging my feet in highschool I guess lol. But you're very eloquent and It didn't subtract from my overall understanding. Once again it was quite liberating to hear that many of my own ideas and strategies when it comes to teaching basses happened to be supported by much more objective information. I still think it's wild that the human voice is still such a misunderstood and complex instrument after all the studies that have been done. It feels like were just scratching the surface. For any beginner out there pay extra attention to the section at 30:17. By far the most practically helpful section and any pro beatboxer will give you at least a few of those tips and the goat kindred is giving 7! Anyways keep up the good work kindred.

Gotta say, it'd be way cooler if you could tune a violin by listening for a resulting subharmonic, instead of just eliminating some boring wobble

I do a hollow whistle by sticking out my folded tongue and blowing. Does anyone else do this?

Glad to see a video posted by you bro hope to see you doing this often..I remember mentioning your name to maze because his approach to explain things seems to be quite similar🖤 maybe a colab or talk discussions on His or Your channel

A pleasure to watch and digest, as always my friend. Cheers to you on another very informative and very dedicated deep dive🙏❤️🔥 shout out to kala and maze frog too, you both are some much-needed scholars in the world of understanding our beatbox phenomena and sounds, and of course, to kindred himself too, thanks for all the work you Al do to help grow and develop the collective understanding of our art form❤️thoroughly compelling research here

New Year indeed

he is back what a banger

Great video! ill add a few of my observations, which aren’t proof at all, but helped me a lot while learning all basses the same way vocal subharmonic fragment it’s own vibration with itself to get a bass, every non vocal bass can have this effect. The easiest example to understand is the difference between sub liproll and normal liproll, there is a clear click where you breath harder, get more relax, and fill your lungs slower, wich completely changes the type of vibration. Dlow does the same thing with his inward bass, relax, breath harder but not more and you will click into a second subharmonic that sounds dirty and unstable.. Same with your tongue, uvula, and everything you can vibrate. Inertia does the same in his first round against colaps, the switch between sub inward bass and normal inward bass is not a change in pitch but in type of vibration. And even though it seems that a vocalised lower subharmonic bass is not the same as a vibration bass, it still helps to feel that type of vibration while learning. And the secret to learn these deeper vibrations is not to contract more, even though it’s probably what’s happening. When inertia teached me vibration bass, he was explaining the the vibration bass was « between voice and throat bass », meaning that he did throat bass, relaxed till the throat bass started to crack, and added support to this unstable bass by breathing harder. And from my experience it’s always like this, going lower in subharmonic is always about relaxing more and breathing harder (but not faster, you’re adding more torque but your lungs are actually getting emptied slower). For most people the tip of contracting more will make them hurt themselves and search in the opposite direction, since they will just add distortion their bass like a rock singer would add distortion to his voice

happy new year champ

I don’t know if physical appearance is as central as they say. When I was my most physically fit, I was watching guys with beer guts get women while I struck out, because these less attractive men had social skills and took command of the dynamic with the women they liked. When I was more average looking, I was also more open to socializing and confident, and that is why I was actually more successful with women then.

the heavy emphasis on anatomy is so rare to see and impressive 🗣🔥

Thank you!!!

Amazing video, this is beyond tutorial level, this is degree level ! Big thank you for this ! 🙏

Great Video man, you're really well spoken.

dude, could you do the azel whale whistle tutorial please, i actually need a tutorial made by you

İd love to know the age, social class, culture, etc, of all the people in any studies about hypergamy. This is all unbeleivably specific, different people do kinship and caste and sex differently.

Awesome tutorial bro. Still working on mine. Yours sounds fire 🔥 🔥

Music too loud